In 2008, Rob and Nick Carter began a landmark investigation into the boundaries between historical painting and digital time. By translating static masterpieces into ‘moving paintings’, they invited viewers into a state of durational looking — a ‘slow art’ philosophy that saw the original Transforming series enter the permanent collections of the Mauritshuis and the Städel Museum, with further works held by The Frick Pittsburgh and exhibited at The Frick Collection, New York. After an…