Framed through the experience of “crossing(s)” as moments of transition, encounter and becoming, the exhibition on Nanyang Artist Lai Foong Moi (1931–1995) positions her practice as a site to consider how identity was pictured and lived in the 1960s in Singapore and Malaya – a productive period in her career which intersected with profound social transformation and national reimagination. Although working within conventional genres of portraiture, still life, and landscape painting, Lai's…