Igshaan Adams (b. 1982, Cape Town) is a multidisciplinary artist whose practice interlaces the personal and political through materials, gesture, and form. Drawing upon his upbringing in Bonteheuwel—a racially segregated suburb shaped by apartheid’s spatial divisions—Adams’s woven and sculptural works transform humble materials such as rope, beads, and wire into intricate compositions that explore the entanglement of race, religion, sexuality, and memory.