Across the paintings, a landscape opens where a wall should be; a picture leans against another picture; an easel turns into a tree. The rooms are flat and clean, the colour laid down in blocks, nodding to Matisse and Magritte – designed spaces run on a dreamer's logic. For Gardner, the studio is a set of nested rooms, each a step further from the world and a step closer to the daydream. Imagined rather than visited, these landscapes have rivers cut through them to keep time moving.