In collaboration with Corbett vs. Dempsey “These are not flowers as decoration but symbols of a deeper engagement with the vagaries of nature and self.” G. Glueck, The New York Times, 2001 In an era of reclaimed bigotry and graceless hysteria, the timing of the first-ever London exhibition of Jimmy Wright’s emblematic flowers can only serve as impressive inspiration. The field of painted flowers in After The War confronts and questions our certitudes—on beauty; on Academism; on…