For over sixty years, Richard Tuttle’s work has comprised radically minimal gestures made through the barest of means, reshaping the ways painting, sculpture, drawing and poetry are conceived. This exhibition centres hand-sized, roughly hewn assemblages constructed from everyday materials. In one work, a single length of painted wire delicately delineates a volume of space; in others jigsaw-cut timber or plywood slats both collapse and construct new spatial forms.