Drawing on found photographs from her private family albums and the public realm of the internet, the paintings of the Czech-British artist Anastazie Anderson possess an intimacy – even a tenderness – that belies their large scale. Employing dense black grounds and a muted palette, whose tones appear to have been washed out by the passing of the years, or else the glare of repeated scrutiny, these paintings explore the persistence of personal, familial and collective histories, both in the…