One way to subvert a hegemonic technology is to co-opt it. —David Salle Following David Salle’s solo presentation at the Palazzo Cini Gallery during the 61st Venice Biennale earlier this year, this exhibition, held in an intimate space at Thaddaeus Ropac Paris Pantin, reunites the works shown together in Venice. The paintings extend the New York-based artist’s use of artificial intelligence as a tool to unravel and recalibrate the logic of painting.