In his first solo museum exhibition, Olalekan Jeyifous (US, b. Nigeria, 1977) imagines an archive of remnants surfaced from a speculative river enclave. Neither utopian nor dystopian, the enclave emerges from the histories of the Mississippi River yet exists outside of fixed time. Foregrounding the river as a keeper of ecological, spiritual, and industrial memory, Jeyifous melds African diasporic cosmologies with Indigenous water knowledge into a meditation on the entanglements between…